Audemars Piguet Code 11.59 Chronograph White Gold/Ceramic 41mm Grey Dial 26393NB.OO.A002KB.01 OMF
100 in stock
$73,100.00 Original price was: $73,100.00.$520.00Current price is: $520.00.
18-carat white gold meets black ceramics in this multi-faceted piece, topped off with a smoked grey dial finished with vertical satin-brushing.
Black ceramic case, 18-carat white gold bezel, lugs and caseback, double glareproofed sapphire crystal and caseback
Size 41 mm
THICKNESS 12.6 mm
Water Resistance 30 m
Dial
Smoked grey dial with vertical satin-finished base, white gold applied hour-markers and hands, black inner bezel
Bracelet
Black rubber-coated strap with 18-carat white gold pin buckle
CALIBRE 4401
Functions
Flyback chronograph, hours, minutes, small seconds and date.
replica ap watch Audemars Piguet Code 11.59 Chronograph White Gold/Ceramic 41mm Grey Dial OMF
Ref. 26393NB.OO.A002KB.01
1. What makes a CODE 11.59 like this interesting is not that it lacks identity, but that its identity needs more depth to really stand out
The first thing that draws attention on this OMF CODE 11.59 chronograph is not the case, but the dial.
That makes sense, because this is not a Royal Oak-type watch that wins first through bracelet architecture and case shape alone. It depends much more on the relationship between the dial, the case, and the overall atmosphere of the watch.
OMF putting the guilloché dial at the center of the story is the right move. A CODE watch with a flat or ordinary dial can easily end up feeling like “just a different design,” but not something memorable.
Subjectively, this kind of dial gives the watch more personality. Objectively, the more textured and decorative the dial becomes, the more obvious it is when the depth, light play, or detailing are not handled well.
2. The 41mm size is not just safe on a CODE chronograph, but exactly what allows the complexity to breathe
A 41mm case sounds straightforward, but on a CODE 11.59 chronograph it is actually a very smart size.
It keeps the watch from becoming too large and losing its dressier side, while also avoiding the cramped feeling that can happen when three subdials are packed into a smaller case.
This kind of watch is not difficult because it has a chronograph layout. It is difficult because the chronograph layout still has to look calm and balanced afterward.
Subjectively, 41mm helps it keep a refined presence without looking weak. Objectively, size alone is never the final answer. What really matters is whether the subdial spacing, visual breathing room, and case proportions all support each other.
3. The real value of the 7750-based Calibre 4401 route is not the name, but the fact that the watch does not stop at being “a chronograph-looking shell”
OMF is taking the 7750-to-Calibre-4401 route here.
The real value of that choice is not simply that it makes the watch sound more technically ambitious. What matters is that it tries to bring the watch closer to the structural logic of a proper CODE 11.59 chronograph.
Once column-wheel, vertical clutch, and flyback language enter the conversation, the watch is no longer trying to survive only through appearance. It is at least trying to move toward a more complete chronograph identity.
Subjectively, that makes the piece feel much more convincing as a real CODE chronograph. Objectively, the closer a version claims to get to original movement logic, the more seriously buyers will judge its thickness, pusher feel, and overall execution. So the movement path is a highlight, but also something that invites closer inspection.
4. The anti-reflective sapphire crystal matters here because a textured dial without clarity easily turns into a wasted idea
One of the most important pairings on this watch is actually the combination of the dial and the crystal.
A CODE 11.59 is not the kind of watch that benefits from a richly textured dial if the crystal above it looks dull or heavy.
If the guilloché pattern is truly layered and the anti-reflective sapphire crystal allows that depth to show properly, the whole watch feels much more refined. If the clarity is not there, even a strong dial pattern starts to flatten out.
Subjectively, what makes this type of watch feel expensive is often not a dramatic feature, but this kind of transparency and depth. Objectively, this is also one of the first things people notice in real life, because crystal clarity immediately affects how rich the dial appears.
5. The Italian calfskin and canvas strap options do more than change the look — they change the personality of the whole watch
OMF offering both Italian calfskin and canvas strap options is actually one of the more useful parts of the package.
A watch like the CODE 11.59 naturally sits between dressier and sportier territory, so strap choice changes the character quite a lot.
With calfskin, the watch feels more mature, more composed, and closer to the idea of a modern dress chronograph. With canvas, it becomes younger, more relaxed, and a bit more casual in everyday wear.
Subjectively, that makes the watch more versatile. Objectively, while a strap may not seem as important as the movement, it has a very real effect on how the watch is perceived and where it feels appropriate to wear.
6. If you put it honestly, whether this OMF CODE 11.59 chronograph is worth attention depends on whether it can support both design and chronograph logic at the same time
If I had to summarize it more honestly, I would say this:
The value of this OMF AP CODE 11.59 Selfwinding Chronograph does not come from the phrase “first in the market.” It comes from whether it can bring the most important parts of this watch — the guilloché dial, the 41mm size, the 4401-style chronograph logic, the crystal clarity, and the strap identity — onto the same level.
Its strengths are easy to see. The dial direction is distinctive. The size is balanced. The movement route at least aims toward a more complete chronograph structure. The crystal and strap choices also show that the watch is trying to build a full identity rather than rely on one headline feature.
Its realistic side should stay in the conversation too. A CODE 11.59 is not the type of watch that wins through first-glance aggression. The more complex it becomes, the more carefully people judge the dial, thickness, pusher logic, and total balance.
But that is also why this watch can be genuinely interesting. If OMF has really brought those areas together, then this is more than just another three-register chronograph. It becomes a CODE piece with its own proper complexity and character.
FAQ | OMF AP CODE 11.59 Selfwinding Chronograph
Q1: What is the biggest highlight of the OMF CODE 11.59 chronograph?
A: The biggest highlight is not one isolated feature, but the combination of the guilloché dial, 41mm case size, 4401-style chronograph logic, anti-reflective sapphire crystal, and strap options that together give the watch a stronger and more complete identity.
Q2: Why is the 41mm size important on this watch?
A: Because it gives the chronograph dial enough room to breathe without making the watch look oversized. It helps preserve the balance between elegance and complexity that a CODE 11.59 chronograph needs.
Q3: Why is the 7750-based Calibre 4401 route worth paying attention to?
A: Because the value is not just in the name. It matters because it tries to move the watch closer to a more complete chronograph structure, including column-wheel, vertical clutch, and flyback-style logic, instead of relying only on external appearance.
Q4: Why does the sapphire crystal matter so much with this dial?
A: Because a textured guilloché dial only works if the crystal above it is clear enough to show the depth properly. If the crystal feels dull, the whole dial loses much of its richness and layered effect.
Q5: How do the calfskin and canvas strap options change the watch?
A: The calfskin strap makes the watch feel more refined and dress-oriented, while the canvas strap gives it a more relaxed and sporty personality. The strap choice changes the overall mood of the watch quite noticeably.
Q6: Who is this OMF CODE 11.59 chronograph best suited for?
A: It is best suited for buyers who like AP but do not want the standard Royal Oak route, appreciate dial design and chronograph structure, and want a watch with individuality without becoming overly loud.
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| Weight | 1 kg |
|---|---|
| Dimensions | 20 × 20 × 30 cm |
| Brand | Audemars Piguet |
| Bezel | Stainless Steel |
| Bracelet | Rubber |
| Case Material | Stainless Steel |
| Case Size | 41mm |
| Calibre | Replica Cal.4401 |
| Complication | Central Seconds, Chronograph, Date, Hour, Minutes |
| Crystal | Sapphire Crystal |
| Dial Color | Smoked Grey |
| Dial Markers | Index |
| Gender | Men |
| Manufacturer | OMF |
| Movement | Automatic |
| Watch Collection | CODE 11.59 |
| Water Resistance | 30m/3 bar |
The House of Audemars Piguet
Founded in 1875, Audemars Piguet is widely considered to be one of the top wristwatch manufacturers in the world and the Swiss company is especially well-known for its avant garde aesthetics. The business was created by Jules-Louis Audemars and Edward-Auguste Piguet; two gifted Swiss craftsmen who attended the same school.
Both Audemars and Piguet became interested in developing complex mechanisms for use in highly technical timepieces and this set the company on its path to excellence within the field of haute horology. Today, more than 140 years on, Audemars Piguet remains in the ownership of its two founding families.
Early Audemars Piguet Models
As a business, Audemars Piguet has been involved in the production of wristwatches since around 1893. However, in the early 20th century, the company enjoyed greater success producing highly advanced fob watches, such as its Grande Complication collection, launched in 1915, which featured a perpetual calendar and minute repeater.
Nevertheless, in 1893, AP created the world's first wrist minute repeater and in 1921, the manufacturer made history again with the first ever jumping hour wristwatch, which used a calibre HPVM10 movement. However, the Wall Street Crash and resulting Great Depression threatened the very existence of the company and although AP created a skeleton watch in 1934, leaving the parts visible through the dial, sales were far from strong.
Following the end of World War II, the luxury watch market began to pick up again and in 1954, AP continued to innovate with their Reference 5516 watch. This model was the first wristwatch in the world to feature a perpetual calendar with a leap year indicator. Then, in 1967, the company invented the world's thinnest automatic movement.
The Royal Oak Collection
Audemars Piguet's continued success in the second half of the 20th century and in the early 21st century was largely thanks to the introduction of its revolutionary Royal Oak collection. Originally launched in 1972, it became the first luxury sports watch with a steel case and is characterised by its rounded octagonal case shape.
Initially, there was a great deal of concern over whether or not people would be willing to pay high prices for a steel wristwatch. For this reason, the release of the Royal Oak collection was slow, with only 1,000 models being released at the start. Today, these original models, which are identifiable by the positioning of the AP initials above the 6 o'clock position, are extremely valuable and sought after by luxury watch collectors.
Despite the company's concerns, the Royal Oak became a success, due in no small part to the quality of the craftsmanship. In the mid 1980s, new complications such as a perpetual calendar and a lunar phase indicator were added to the Royal Oak and in 1992, the extreme sport version, the Royal Oak Offshore, was released.
The Royal Oak Offshore became one of the brand's most successful models and was defined by its oversized 42mm case. Despite the evolution of the collection, with increasingly sophisticated complications, the Ref. 15202 remains one of the most appreciated models and this is the closest design to the original Royal Oak. Today, it is estimated that Royal Oak models make up in excess of 40 percent of all Audemars Piguet sales.
Audemars Piguet Millenary
Following on from the success of the Royal Oak Collection, Audemars Piguet introduced another of its most recognisable collections, the AP Millenary. This particular watch is powered by a self-winding calibre movement and is aesthetically defined by its round and almost pebble-like case shape.
Many of the models feature unconventional dial elements. For instance, some feature dials with inconsistent number sizes, while others have dials that are off-centre. These help to give the Millenary collection a distinctly modern appeal, while also adding a sense of character at the same time.
In 2009, a limited edition version of the Millenary was released. Known as the Millenary Pianoforte, it had a unique musical theme, with piano keys surrounding the dial. This particular model had a 45mm case, which was constructed from 18k white gold and only around 500 of the timepieces were ever released to the public.
The collections
From the octagonal icon to haute joaillerie — six collections, one singular vision of Haute Horlogerie.
ROYAL OAK
ROYAL OAK OFFSHORE
ROYAL OAK CONCEPT
CODE 11.59
Classic by nature, unconventional by design — a round case with octagonal mid-case and double-curved crystal.
Neo Frame
Établisseurs
A sanctuary for rare craftsmanship — hand-engraved, skeletonised and enamelled pieces in tiny editions.




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